Edward S. Curtis, Suati-Sia Pueblo, Photogravure 1925

$4,500

ABOUT

Edward S. Curtis (1868 - 1952). Photogravure on handmade Dutch "Van Gelder" paper stock. Numbered in plate, upper left: Plate 565. Titled in plate, lower left: Shuati-Sia. 
Inscribed in plate, lower center: From Copyright Photograph 1925 by E.S. Curtis.
Inscribed in plate, lower right: Photogravure Suffolk Eng. Co. Cambridge, Mass.

A striking and culturally profound masterwork from Edward S. Curtis’s landmark ethnographical survey, "The North American Indian". This original large-format portfolio photogravure captures a rare glimpse into the cultural narrative of the Keres-speaking Sia Pueblo in New Mexico during Curtis's 1925 field session. Rendered with unmatched depth and exceptional tonal clarity, the image showcases the rich textures, traditional attire, and enduring spirit of the Pueblo peoples.
Unlike the smaller, machine-bound text volumes, this piece is a highly coveted large-format portfolio plate. Struck by the renowned Suffolk Engraving Company on premium, heavy handmade Dutch Van Gelder paper, the oil-based sepia ink is physically pressed into the cotton fibers. The resulting piece features a deep, distinct plate mark impression and beautifully textured deckled edges, demonstrating Curtis’s complete technical brilliance in photography and printmaking.
  • CREATOR Edward S. Curtis (1868 - 1952). Subject: Shuati-Sia, New Mexico.
  • DATE OF MANUFACTURE c.1925.
  • MATERIALS AND TECHNIQUES Medium: Original large-format photogravure on Van Gelder paper.
  • CONDITION Good. Wear consistent with age and use. 
  • DIMENSIONS Sheet: H 22 in. W 18 in., Image: H 15.5 in. W 11.5 in.

HISTORY

Edward S. Curtis (1868–1952) left an enduring mark on the history of photography in his 20-volume life's work, The North American Indian. Between 1900 and 1930, Curtis traveled across the continent photographing more than seventy Native American tribes. The photographs presented daily activities, customs, and religions of a people he called “a vanishing race.

PHOTOGRAVURES | The vast majority of his prints, approximately 98%, were printed as photogravures, and virtually all them were produced for The North American Indian. Curtis used two standard sizes, 5 x 7″ (or reverse), and approximately 12 x 16″ (or reverse). He favored three hand-made papers: Japanese Vellum, Dutch “Van Gelder,” and Japanese “Tissue,” also known as India Proof Paper.



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